$85.00
473 pages. 9×12 inches. Paperbound, Printed in U.S.A.
Available worldwide.
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Star Trek is one of Goldsmith’s most stunning, most awe-inspiring, and thematically rich scores. Every one of the 473 pages of orchestration reveal a mind that was able to create engaging music that perfectly suits the film.
473 pages. 9×12 inches. Paperbound, Printed in U.S.A.
Available worldwide.
| Weight | 3.5 lbs |
|---|---|
| Dimensions | 12 × 9 × 1 in |
| 1. Ilia’s Theme 2. Main Title 3. The Klingons 4. Total Logic 5. Floating Office 6. The Enterprise 7. Malfunction 8. Goodbye Klingon 9. Goodbye Epsilon Nine 10. Pre Launch 11. Leaving Drydock 12. Television Theme 13. Warp Point Eight 14. No Goodbyes 15. Spock’s Arrival 16. Star Trek TV Theme 17. Warp Point Nine 18. Meet V-Ger 19. The Cloud 20. V-Ger Flyover 21. The Force Field | 22. Micro Exam 23. Games 24. Spock Walk 25. System Inoperable 26. Hidden Information 27. Inner Workings 28. V-Ger Speaks 29. Body Meld 30. A Good Start 31. End Titles 32. Preludium 33. Total Logic (Early Version) 34. The Enterprise (Early Version) 35. Pre Launch (Early Version) 36. Leaving Drydock (Early Version) 37. No Goodbyes (Early Version) 38. Spock’s Arrival (Early Version) 39. Micro Exam (Early Version) 40. Games (Early Version) 41. Inner Workings (Early Version) 42. Body Meld (Early Version) |
ED BULLER (verified owner) –
The Sistine chapel of SCI-FI Film scores, this has it all. A huge Orchestra , Truckloads of SYNTHS and an ALIEN instrument called “THE BLASTER BEAM”. All beautiful notated by the Elves at OMNI. A massive undertaking this includes everything that was in the film and many Outtakes and Alternatives. This was a trial for Jerry as much of the first recording was rejected and he struggled to find the Tone but in the end he delivered what many regard as his Finest work. In essence it’s a Love story and the “Ilia” theme becomes center stage whilst being supported and infused with the Darker music for the Prober V,ger. A must have score this sold out in the first few hours of going on sale….there is good reason…it’s THAT Special .
fabio (verified owner) –
A Masterpiece by Jerry Goldsmith… a new masterpiece this book in fullscore with the complete movie’s OST and plus various “early versions” and analysis.
Thanks Omni Publishing!
Steve Parsons (verified owner) –
A score many of us never expected to see in print, this is probably one of the finest examples of film scoring at its best. Featuring a now-legendary primary theme and a perhaps even more legendary story of the struggles in getting the final result laid to tape, Jerry Goldsmith’s masterwork is a must-have for any film score composer, orchestrator, or fan of fantastic music.
Omni’s usual microscopic attention to detail and editing is even more outdone here by a publication that clearly shows the love for the music and craft, and features a huge appendix of original score cues that were replaced for the film. Very few scores give this level of insight into the Hollywood filmmaking process, particularly not on this scale and with an inventive, Oscar-winning composer leading the way.
With a steadily increasing library of impressive titles, Star Trek – The Motion Picture is truly Omni’s crown jewel!
Jeroen van Luiken-Bakker (verified owner) –
Besides what is said hereabove, one can only hope more Star Trek scores are to follow. (Hint, hint: Star Tre VI is my favourite). Being an aspiring composer myself, this score helps me study the relation between screen and music and it gives an invaluable insight into orchestrational choices.
Jonathan S. (verified owner) –
By far my absolute favorite movie score. I’ve loved this soundtrack since I was a child. This score gives a unique insight into perhaps the most innovative film and TV composer of the last fifty years.