$75.00
Out of stock
Kilar’s music breathes life into Coppola’s nuanced story of the undead prince. It runs the gamut of vengeance, desire, horror, and obsession. Because Coppola’s production was grand and operatic, Kilar’s music follows suit, with many dramatic themes.
241 pages, 9X12 inches. Paperbound, printed in U.S.A
Available Worldwide
Note: Please check with your country for import/duty tax before ordering. This charge will be in addition to the book cost and shipping cost and varies by country.
| Weight | 2 lbs |
|---|---|
| Dimensions | 9 × 11 × 1 in |
| 1. The Beginning 2. The Beginning (Cont’d) 3. The Book 4. The Journey 5. The Castle 6. The Fatal Step 7. The Legacy 8. Mina’s Photo (Spilled Ink) 9. The Party 10. Dracula’s Shadow 11. The Brides 12. To the Brides 13. The Storm 14. First Look (The Letter I) 15. Love Remembered (Alt.) 16. Lucy’s Neck 17. The Cinema 18. Dracula Travels Part 1 (Lucy’s Window) 19. Rules Cafe Waltz (Album Version 20. Mina/Dracula (Rules Cafe) 21. Lucy Squirms (Alt.) 22. First Look Ver. I Alt. (The Letter II) 23. The Hunt Builds 24. Dracula Revealed 25. Lucy’s Lullaby – Vocal & Harp 26. The Stake 27. The Hunter’s Prelude (Vampire Hunters) 28. The Hunter’s Prelude | 29. The Green Mist 30. Mina/Dracula (Orig. Ext. End) 31. First Look Alt. Ver. 1 (The Fire) 32. The Train 33. So Cold 34. Mina Possessed 35. Lucy’s Screech (Ring of Fire) 36. Race Against the Sunset 37. Love Eternal (Love Remembered) 38. The End 39. End Credits 40. Dracula’s Shadow Alt. (The Book) 41. To the Brides Alt. 1 42. Lucy Squirms (Orig.) 43. Rules Cafe Waltz (The Letter II Alt.) 44. Lucy’s Screech (The Stake Alt.) 45. Love Remembered (Orig.) 46. First Look Alt. Ver. 2 (The Letter II Alt.) 47. The Brides Alt. (So Cold Alt.) 48. Race Against the Sunset Alt. 49. Toolbox D18 A, B, C 50. Dracula Toolbox – Tears to Diamonds 51. To the Brides Alt. 2 52. From the Brides 53. Saving Lucy 54. Rules Cafe Waltz – Original Version 55. Remembering |
Curtis A (verified owner) –
It’s incredible to see this! Coppola’s take on Dracula has quickly become one of my very favorite movies, and Kilar’s score is truly what ties it together. Seeing his pseudo-minimalist writing for ‘maximalist’ orchestra and chorus really is illuminating.