Welcome to Omni Music Publishing

Musica Supra Mensura

"I’m so appreciative to Omni that they’ve added "How to Train Your Dragon" to a list of films I so admire. To be able to dip into the first few elegant bars of "Batman" or see how simple the voicing is in the main theme to "Back to the Future" gives me such joy, I hope that my score also will reveal interesting answers for fans of the film.”
- John Powell - Composer - "How To Train Your Dragon" film series, "Solo: A Star Wars Story", "The Call of the Wild"
"As a college student, I used to rent John Williams’s study scores and input every note into my sequencer to understand both his compositional and orchestrational brilliance. I’m still doing that today with the Omni Music scores. To be able to see exactly HOW that musical passage was achieved through melody, harmony, voice-leading, counterpoint and orchestration continues to make me a better musician today."
- Kevin Kliesch - Composer Sofia the First, Tangled: The Series; orchestrator Frozen.
"The Omni Music scores represent an amazing opportunity to study how some of the great film scores of all time were written and orchestrated. I buy them all, and even at this stage of my career pore through every little detail. If you’re serious about learning how film scores are (or should be) written, these are must haves. If only I had access to actual film scores such as these when I was first learning…”
- Dave Metzger, orchestrator; Frozen, How To Train Your Dragon
"The Omni Music series of complete scores is a legitimate goldmine, and a long-fantasized, seemingly impossible addition to my library. It's so wonderful to see the inner workings of so many classics, and to experience with these scores that familiar feeling, as when looking at classical works, of 'Wait, wait, wait. That's ALL it is??? It's that simple??’"
- Austin Wintory, composer; Journey, The Banner Saga, Assassin's Creed Syndicate
"Omni Music film score editions are absolutely incredible! Every single note is there - articulations, too! You won’t find music presented like this anywhere else!"
- Don Davis, composer; The Matrix series, Jurassic Park III

New Releases

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Who else to write the music about a human who thinks he’s an elf than John Debney? With scores like Liar, Liar, and Bruce Almighty, he has repeatedly proven himself an expert in the comedy genre. Since director Jon Favreau chose a “Rankin/Bass” palette, Debney follows suit with a nostalgic, charming, and quirky score for the adventures of a North Pole elf in modern-day New York City.

172 pages, 9X12 inches. Paperbound, printed in U.S.A

Available Worldwide

Available only at omnimusicpublishing.com for $55 (Black Friday Only) normally $75

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Happy 30th, Edward!
Elfman was literally rewriting the rules of cinematic composition with each new score. Despite the naysayers, Danny kept producing one hit after another with such titles as Pee Wee’s Big Adventure Beetlejuice and Batman. When it came time to write the score for Edward Scissorhands, the composer was in the dark; there was no template for the type of story Tim Burton was telling, no standard way of expressing such a visual tale through music. Eventually, Elfman combined elements of Herrmann, Tchaikovsky, and the commercial music of the 60s.

222 pages, 9X12 inches. Paperbound, printed in U.S.A

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Available only at omnimusicpublishing.com for $85

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In the wake of Titanic, Horner delivered one of the flashiest scores of his career. The unique combination of flamenco guitars with swashbuckling brass echoes the works of Korngold, Steiner, and Rosza. Horner leaves no stone unturned by incorporating all of his orchestral flair with the music of the Iberian peninsula. The themes, orchestration, and rhythmic intensity all create a score full of elegant style and intelligence. This is a must-have for every serious student of the medium, as the film worked to every strength Horner had as a composer, and his talents are on full display in this often over-looked masterpiece.

319 pages, 9X12 inches. Paperbound, printed in U.S.A

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Available only at omnimusicpublishing.com for $85

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James Newton Howard is an acclaimed American composer, orchestrator, and conductor who has composed music for film, television, and other media. Among his most notable works is the music score for the 1993 film The Fugitive, directed by Andrew Davis and starring Harrison Ford and Tommy Lee Jones. The music score for The Fugitive is a unique and captivating blend of the orchestra with synthesizers that masterfully evokes a sense of loneliness and desperation while also contributing to the overall mood and atmosphere of the film.

284 pages, 9X12 inches. Paperbound, printed in U.S.A

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Available only at omnimusicpublishing.com for $75

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John Powell’s "How To Train Your Dragon" Full Orchestral Score

One of the most notable features of Powell’s score, is how it blends musical styles and instrumentation. John Powell was inspired by the “Scandinavian Scotland” from Cressida Cowell’s books. Based upon his own Scottish heritage, he used instruments such as bagpipes, dulcimers, and whistles, to portray Viking protagonists. Additionally, the score features as many as ten themes, and endless orchestral imagination. Be the first to own of of the finest scores Powell has ever produced.

348 pages, 9X12 inches. Paperbound, printed in U.S.A

Available worldwide

Available only at omnimusicpublishing.com for $85

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