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Who else to write the music about a human who thinks he’s an elf than John Debney? With scores like Liar, Liar, and Bruce Almighty, he has repeatedly proven himself an expert in the comedy genre. Since director Jon Favreau chose a “Rankin/Bass” palette, Debney follows suit with a nostalgic, charming, and quirky score for the adventures of a North Pole elf in modern-day New York City.

172 pages, 9X12 inches. Paperbound, printed in U.S.A

Available Worldwide

Available only at omnimusicpublishing.com for $55 (Black Friday Only) normally $75

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Happy 30th, Edward!
Elfman was literally rewriting the rules of cinematic composition with each new score. Despite the naysayers, Danny kept producing one hit after another with such titles as Pee Wee’s Big Adventure Beetlejuice and Batman. When it came time to write the score for Edward Scissorhands, the composer was in the dark; there was no template for the type of story Tim Burton was telling, no standard way of expressing such a visual tale through music. Eventually, Elfman combined elements of Herrmann, Tchaikovsky, and the commercial music of the 60s.

222 pages, 9X12 inches. Paperbound, printed in U.S.A

Available Worldwide

Available only at omnimusicpublishing.com for $85

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In the wake of Titanic, Horner delivered one of the flashiest scores of his career. The unique combination of flamenco guitars with swashbuckling brass echoes the works of Korngold, Steiner, and Rosza. Horner leaves no stone unturned by incorporating all of his orchestral flair with the music of the Iberian peninsula. The themes, orchestration, and rhythmic intensity all create a score full of elegant style and intelligence. This is a must-have for every serious student of the medium, as the film worked to every strength Horner had as a composer, and his talents are on full display in this often over-looked masterpiece.

319 pages, 9X12 inches. Paperbound, printed in U.S.A

Available Worldwide

Available only at omnimusicpublishing.com for $85

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James Newton Howard is an acclaimed American composer, orchestrator, and conductor who has composed music for film, television, and other media. Among his most notable works is the music score for the 1993 film The Fugitive, directed by Andrew Davis and starring Harrison Ford and Tommy Lee Jones. The music score for The Fugitive is a unique and captivating blend of the orchestra with synthesizers that masterfully evokes a sense of loneliness and desperation while also contributing to the overall mood and atmosphere of the film.

284 pages, 9X12 inches. Paperbound, printed in U.S.A

Available Worldwide

Available only at omnimusicpublishing.com for $75

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John Powell’s "How To Train Your Dragon" Full Orchestral Score

One of the most notable features of Powell’s score, is how it blends musical styles and instrumentation. John Powell was inspired by the “Scandinavian Scotland” from Cressida Cowell’s books. Based upon his own Scottish heritage, he used instruments such as bagpipes, dulcimers, and whistles, to portray Viking protagonists. Additionally, the score features as many as ten themes, and endless orchestral imagination. Be the first to own of of the finest scores Powell has ever produced.

348 pages, 9X12 inches. Paperbound, printed in U.S.A

Available worldwide

Available only at omnimusicpublishing.com for $85

Jerry Goldsmith "Star Trek: The Motion Picture" Full Orchestral ScoreJerry Goldsmith "Star Trek: The Motion Picture" Full Orchestral Score
John Powell’s "How To Train Your Dragon" Full Orchestral ScoreJohn Powell’s "How To Train Your Dragon" Full Orchestral Score

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